“On Directing Film” by David Mamet
“Story: Substance, Structure, Style and the Principles of Screenwriting” by Robert McKee
“In the Blink of an Eye: A Perspective on Film Editing” by Walter Murch
“Making Movies” by Sidney Lumet
“The Filmmaker’s Handbook” by Steven Ascher and Edward Pincus
“Film Directing Shot by Shot: Visualizing from Concept to Screen” by Steven D. Katz
“Directing Actors” by Judith Weston
“The Hero with a Thousand Faces” by Joseph Campbell
“Save the Cat! The Last Book on Screenwriting You’ll Ever Need” by Blake Snyder
“Understanding Movies” by Louis Giannetti
“Film Art: An Introduction” by David Bordwell and Kristin Thompson
“The Five C’s of Cinematography” by Joseph V. Mascelli
“Sculpting in Time” by Andrei Tarkovsky
“Rebel Without a Crew” by Robert Rodriguez
“Notes on the Cinematographer” by Robert Bresson
“Film Theory and Criticism” edited by Leo Braudy and Marshall Cohen
“The Technique of Film and Video Editing” by Ken Dancyger
“Cinematography: Theory and Practice” by Blain Brown
“The Visual Story: Creating the Visual Structure of Film, TV, and Digital Media” by Bruce Block
“Understanding Comics: The Invisible Art” by Scott McCloud
“The Film That Changed My Life” by Robert K. Elder
“Hitchcock/Truffaut” by François Truffaut
“The Filmmaker’s Eye: Learning (and Breaking) the Rules of Cinematic Composition” by Gustavo Mercado
“The Technique of Film Editing” by Karel Reisz and Gavin Millar
“The Art of Dramatic Writing” by Lajos Egri
“The Power of Film” by Howard Suber
“Rebel Without a Crew” by Robert Rodriguez
“Shooting to Kill” by Christine Vachon
“Film Lighting: Talks with Hollywood’s Cinematographers and Gaffers” by Kris Malkiewicz
“The Digital Filmmaking Handbook” by Ben Long and Sonja Schenk
“The Conversations: Walter Murch and the Art of Editing Film” by Michael Ondaatje
“The Magic Hour: Film at Fin de Siècle” by J. Hoberman
“The Tools of Screenwriting” by David Howard and Edward Mabley
“Cinematic Storytelling” by Jennifer Van Sijll
“The Technique of Screenplay Writing” by Eugene Vale
“Film Theory: An Introduction through the Senses” by Thomas Elsaesser and Malte Hagener
“Writing Movies: The Practical Guide to Creating Stellar Screenplays” by Gotham Writers’ Workshop
“How to Read a Film” by James Monaco
“Cinematography: Third Edition” by Kris Malkiewicz and M. David Mullen
“Film Form: Essays in Film Theory” by Sergei Eisenstein
“The Film Experience: An Introduction” by Timothy Corrigan and Patricia White
“The Silent Screen & My Talking Heart” by Nell Shipman
“The New Biographical Dictionary of Film” by David Thomson
“The American Cinema: Directors and Directions 1929-1968” by Andrew Sarris
“The Uses of Enchantment: The Meaning and Importance of Fairy Tales” by Bruno Bettelheim
“The World in a Frame: What We See in Films” by Leo Braudy
“What is Cinema?” by André Bazin
“Cinema 1: The Movement Image” by Gilles Deleuze
“Cinema 2: The Time Image” by Gilles Deleuze
“The Classical Hollywood Cinema: Film Style & Mode of Production to 1960” by David Bordwell, Janet Staiger, and Kristin Thompson
مرتضى فرهادنيا, [10/05/1403 03:18 ب.ظ]
“An Actor Prepares” by Konstantin Stanislavski
“Building a Character” by Konstantin Stanislavski
“Creating a Role” by Konstantin Stanislavski
“The Empty Space” by Peter Brook
“The Theatre and Its Double” by Antonin Artaud
“Towards a Poor Theatre” by Jerzy Grotowski
“The Director’s Craft: A Handbook for the Theatre” by Katie Mitchell
“The Viewpoints Book: A Practical Guide to Viewpoints and Composition” by Anne Bogart and Tina Landau
“The Actor’s Art and Craft” by William Esper and Damon DiMarco
“A Director Prepares: Seven Essays on Art and Theatre” by Anne Bogart
“Backwards & Forwards: A Technical Manual for Reading Plays” by David Ball
“The Fervent Years: The Group Theatre and the Thirties” by Harold Clurman
“The Art of Acting” by Stella Adler
“The Sanford Meisner Approach” by Larry Silverberg
“Respect for Acting” by Uta Hagen
“True and False: Heresy and Common Sense for the Actor” by David Mamet
“The Dramatic Imagination” by Robert Edmond Jones
“The Playwright’s Guidebook” by Stuart Spencer
“Theatre of the Oppressed” by Augusto Boal
“Impro: Improvisation and the Theatre” by Keith Johnstone
“Freeing the Natural Voice” by Kristin Linklater
“Actions: The Actors’ Thesaurus” by Marina Caldarone and Maggie Lloyd-Williams
“To the Actor: On the Technique of Acting” by Michael Chekhov
“Acting: The First Six Lessons” by Richard Boleslavsky
“A Sense of Direction: Some Observations on the Art of Directing” by William Ball
“Theatre: Brief Version” by Robert Cohen
“Drama Games for Actors” by Thomasina Unsworth
“The Frantic Assembly Book of Devising Theatre” by Scott Graham and Steven Hoggett
“The Actor and the Target” by Declan Donnellan
“Audition” by Michael Shurtleff
“The Stanislavski System: The Professional Training of an Actor” by Sonia Moore
“The Method: How the Twentieth Century Learned to Act” by Isaac Butler
“The Actor’s Studio: A History” by Foster Hirsch
“The Laban Workbook for Actors” by Katya Bloom, Barbara Adrian, and Tom Nelson
“Viewpoints” by Mary Overlie
“Theatre Games for the Classroom: A Teacher’s Handbook” by Viola Spolin
“Games for Actors and Non-Actors” by Augusto Boal
“The Actor’s Life: A Survival Guide” by Jenna Fischer
“The Theatre Experience” by Edwin Wilson
“The Cambridge Introduction to Theatre Studies” by Christopher B. Balme
“The Cambridge Companion to Theatre History” edited by David Wiles and Christine Dymkowski
“The Cambridge Introduction to Tragedy” by Jennifer Wallace
“The Cambridge Introduction to Comedy” by Eric Weitz
“Theatre Histories: An Introduction” by Phillip B. Zarrilli, Bruce McConachie, Gary Jay Williams, and Carol Fisher Sorgenfrei
“The Cambridge Introduction to Modern British Theatre” by Simon Shepherd
“The Cambridge Introduction to French Literature” by Brian Nelson
“The Cambridge Introduction to Twentieth-Century American Drama” by Christopher Bigsby
“The Cambridge Introduction to Theatre Directing” by Christopher Innes and Maria Shevtsova
“The Cambridge Introduction to Theatre and Literature of the Absurd” by Michael Y. Bennett
“The Cambridge Introduction to Early English Theatre” by Janette Dillon
